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Easy Atmospheric Perspective in Photoshop PDF Print E-mail
Written by Jacob A Stevens   
Sunday, 20 April 2008 20:25
Article Index
Easy Atmospheric Perspective in Photoshop
Creating Perspective with Layers
The Ground Plane
Atmospheric Perspective in Games
Conclusion
All Pages

This tutorial introduces the concept of atmospheric perspective and demonstrates an easy and flexible way to create atmospheric perspective in Photoshop.

What is Atmospheric Perspective?
Go outside and look at the air around you. Can you see it? Most of us grow up thinking that air is invisible, but it isn’t. In fact, air is one of the most important cues we use to judge the depth in an image we’re looking at.

LA Atmosphere

Look at this photo I took from a hotel room window in Los Angeles. The colors of the buildings and cars that are closer to the camera are vivid and high-contrast. However, the buildings, trees, and hills in the background have a smoky appearance, losing their color and definition.

Sabino Canyon

These images of Sabino Canyon in Tucson, AZ, show a similar effect. Objects close to the camera show a full range of colors and light and dark values, while the mountains in the background are hazy with less difference between shadows and highlights. Also notice that the way you can tell which mountains are closer to you and which are further is by noticing how hazy they are.

Sabino Canyon

Atmospheric perspective is caused by the fact that the space surrounding the solid objects that we see isn’t empty. Light scatters around between air, water, smoke, dust, and pollution molecules, partially obscuring the objects that they are in front of. The further away an object is from the viewer, the more obscure it becomes. Eventually, especially on foggy days, entire buildings and mountains can become completely invisible!

Visually, there are three primary effects caused by atmospheric perspective:

1. The further away an object is, the closer its color will match the color of the sky.
2. As an object moves further from the viewer, the contrast between its highlights and shadows will decrease.
3. The colors of objects that are closer to the viewer will be more saturated (less gray) than the colors of objects that are far away.

Luckily for us, in most cases, effects 2 and 3 occur naturally as a result of effect number 1. This makes it easy to achieve simple atmospheric perspective in Adobe Photoshop.




 

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